AI Marketing Video Generator
Start from a product photo and a line of copy, and come out with creative you can actually run — in every placement size, in as many variants as the test plan needs.
- Ad-ready in minutes, not days
- Marketing templates that convert
- 9:16, 1:1, 4:5 and 16:9
- Variants without a reshoot
Why teams move creative here
- First cut
- Minutes
- Placements
- 4 ratios
- Variants per idea
- Unlimited
- Shoot days needed
- Zero
How to make an ad video with AI
Marketing Studio is the video studio with the marketing template wall in front of it, so the fastest route is to pick the format first and supply the specifics second.
- 01
Pick the ad format
Choose a marketing template — a testimonial, a product reveal, a before-and-after, a UGC-style talking hook. The template arrives with the model, prompt structure, and pacing already set.
- 02
Add your product and your script
Upload the product photo and write the line the ad is built around. If you need a voice, generate it in the audio studio and reuse the same cloned voice across the whole campaign.
- 03
Generate every size you run
Produce the master cut, then reframe it to the other placements with the subject kept in frame — one generation covers the feed, the story, and the pre-roll.
Built around how campaigns actually get made
Templates chosen for performance
The marketing wall is curated for ad formats that are known to work in-feed, not for visual novelty. Each one is a structure you can drop a product into rather than a look you have to reverse-engineer.
One idea, many variants
Testing needs volume. Re-run the same template with a different hook, a different voice, or a different opening frame, and get a set of creatives that are genuinely comparable.
Every placement from one master
Reframe to 9:16, 1:1, 4:5, and 16:9 without re-cropping by hand and without losing the subject at the edge of frame.
Voice and music included
Generate the voice-over in the same workspace, clone a brand voice once, and reuse it so a campaign sounds like one brand instead of five freelancers.
Consistent spokespeople
A saved character can front an entire campaign, so the same presenter appears in every variant without booking anyone for a second day.
Finish to spec
Upscale to the resolution the platform wants, relight a clip that came back too flat, and extend a cut that ends before the call to action.
Formats teams generate here
UGC-style hooks
A presenter-led opening that reads as native in-feed rather than as an ad, produced without casting or a shoot.
Product reveals
A push, turn, or unbox built around a single catalog photo, cut to the length the placement allows.
Testimonial cuts
A talking-head structure with your script and a consistent presenter across the whole set of variants.
Before and after
The comparison format that carries most service and beauty categories, generated from two images.
Seasonal refreshes
Re-run an existing winner with new copy and new styling instead of commissioning a new production.
Localised variants
Swap the voice-over language while keeping the visual cut identical, so a market test changes one variable.
What changes when creative stops being a shoot
The expensive part of ad creative has rarely been the edit; it has been everything that has to happen before an edit is possible. A shoot has to be scheduled, a presenter booked, a product shipped, a location secured — and all of that has to be repeated when the campaign needs a second angle. That cost structure is why most teams run far fewer creative variants than their media buying could actually use.
Generating the creative changes the arithmetic. A variant costs a run rather than a day, which means the number of ideas you can test stops being bounded by production capacity and starts being bounded by how many hypotheses you have. In practice that shifts the work upstream: more time on the hook, the offer, and the script, and less on logistics.
It also changes what consistency means. When creative is generated, the things that hold a campaign together — the presenter, the voice, the framing conventions — have to be explicit assets rather than a side effect of having booked the same person twice. That is why Marketing Studio treats characters and cloned voices as first-class: they are what keeps twenty generated variants recognisably one campaign.
AI marketing video FAQ
- Can I use generated ads commercially?
- Yes, on a paid plan and under the terms of service. You are responsible for the inputs: use product photography you have rights to, and only use a person's likeness with their agreement.
- Do the videos have a watermark?
- Free-tier exports carry a watermark. Paid plans export without one, at the resolutions ad platforms expect.
- How do I get the same ad in every placement size?
- Generate one master cut, then use the reframe tool to recut it to 9:16, 1:1, 4:5, and 16:9. The subject is tracked and kept in frame rather than being centre-cropped blindly.
- Can the same presenter appear in all my ads?
- Yes. Save a character once and reference it in every generation. Combined with a cloned voice, the whole set of variants stays on one identity.
- How is this different from Commerce Studio?
- Marketing Studio is built around the ad structures that run in social feeds — hooks, testimonials, reveals. Commerce Studio is built around catalog output: listing images and product demos generated in volume from the photos you already have.
Related studios and tools
Put one product photo through it
Free credits on sign-up. Pick a marketing template, add the product, and see the first cut before you decide anything.